Explaining my concept
- Georgia Brechelt

- Oct 29, 2019
- 1 min read
The structures allow for circulation of the atmosphere, breathing life into the pavilionas well as to the Art and Design building. Therefore allowing for visceral and intimately developed connections with other creatives and students. Through carefully considered material use and functionality the pavilion components invite engagement, and movement, allowing for expansion and compression due to the sense of control of public space offered to the public. Allowing the curators, public and forming communities inhabiting the breathing space, to indulge in a conflict between public and private.
The space encourages physical engagement with the structures, and insists on captivating the public through change at the hands of the beholder. Allowing the participants to take a step away from being just another city-dweller, and engage in a collective experience of temporal transformation of public space, allowing for synergetic communities to form within the ever-changing space, creating a halt in the city, a space of moments and encounters independent to the city, yet complimentary of the creative climate that St Paul's Street Gallery exhales in to the pavilion. (Journal of Urban Design, 2013)
intimacy of collective space temporally breathing over a three month period, The aim is people will be engaged in the performative act of space building, with a sense of control over this public space, and that through the space expanding, contracting and adapting, the considerate materials and changing air flow and confinement of the space will create intimacy between publics, providing the capacity for critical exchange, artistic presence and authentic social encounter.



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